Archives For Premiere Pro

Hey all, just a reminder that I’m heading to Motion 2011 and The Adobe Post Show and I sure hope to see as many of you there as possible. If you are just learning what that is, here’s a link to my original VIDEO post about why I go. Bonus: There’s a heck of a good discount via PROMO CODEs in the banner to the right.

Exclusive Promo Codes

$100 off either Motion 2011 or The Adobe Post Show via promo code: REELmo11

$175 off the already-discounted price for both conferences via promo code: REELmoPS11

This industry is very challenging, more now than ever, and a lot of us are under tremendous pressure to deliver in a time of shrinking budgets and increased expectations. It’s very easy to feel like you are constantly chasing your tail, and you end up getting creatively burnt out. Motion 2011 is a place to fix that. The Adobe Post show is a place to acquire new hands on skills. I’m teaching a Premiere Pro lab there, but am just as eager to participate as an attendee.

Hope to see you there!

 

 

I’m on site at an agency client, cutting in Premiere Pro and After Effects, but I thought I better get the word out that Apple have announced an update to FCP X.

Major points:

•XML Support

•Stems Export

The Apple site specifically mentions DaVinci Resolve, under the XML support paragraph. That’s notable for two reasons: 1) Apple are apparently acknowledging the industry’s move to Resolve as a replacement for their own end-of-life Color (and that they have no competitor in the offing), and 2) It seems to indicate this support is ready at launch.

Apple have indicated that multicam support and broadcast monitoring support are coming in 2012. The Multicam was previously announced as intended for “the next major release”, so that’s not a huge surprise, but now that the XML feature is added (although implementation and workflow with all apps is TBD), professional editors are likely to remain frustrated on the monitoring issue, as having a system configured with external monitoring is a standard way of working in most all serious production environments, particularly those where clients are frequently in the room. Many will simply find other editing apps to work in that provide the editorial experience they are accustomed to.

Also noteworthy, and in my opinion a clear indicator of Apple feeling competitive pressure, is that Apple are now offering a 30 day trial of Final Cut Pro X. I have not seen them do that before.

The full list of features is available at the Apple page announcing the update. The update is available via the Mac App store.

When I get a chance, I’ll drive the new upgrade features and test drive an XML workflow, particularly to Resolve and try to get it over to AE (Automatic Duck factor? have to wait and see on that…).

UPDATE 1:

Apple have also posted updates to the Pro Apps codecs. Details on the Apple Support page by clicking here.

UPDATE 2:

Apple have also posted a white paper entitled “Final Cut Pro X for Final Cut Pro 7 Editors”. Clearly a coordinated effort timed for the same day as the update to help curb some of the negativity and ease the transition. Smart move. Apple seems to be moving with a counteroffensive, for lack of a better term.

Motion details, my session and an EXCLUSIVE discount deal:

Note: The park in this video is one of my “creative spaces” I go to get out of the studio and regain focus. It’s generally very quiet and works wonders. What are some of your creative escapes? Leave a comment and let me know.

Motion 2011 and The Adobe Post Show are back-to-back conferences coming October 9-14. Both take place in Albuquerque.

Motion brings together the top creatives in the motion graphics, visual effects and animation industries to share what drives their creativity. The format is audience-interactive “TED Talks” style.

The Adobe Post Show immediately follows Motion. It features intermediate to advanced level training in the Adobe Production Premium applications. I am presenting a hands-on LAB session called “The Reel World: Final Cut Pro to Premiere Pro” amongst many other great sessions.

There is nothing else like Motion in our industry.

Exclusive Promo Codes
$100 off either Motion 2011 or The Adobe Post Show via promo code: REELmo11
$175 off the already-discounted price for both conferences via promo code: REELmoPS11

(the combo is the best deal as it nets you a $1200 value for just $874!)

To register click here

The eSeminar I presented earlier today is now live.

Ask A CS Pro: Updating Your Demo Reel with Premiere Pro

In this eSeminar, I talk about the importance of demo reels and provide an introduction to Premiere Pro, especially from the FCP editors point of view. I also demonstrate how to move FCP 7 projects to Premiere Pro via XML.

This is an Adobe Connect session. You can get to it by clicking either image below.

 

 

This Friday, I will be presenting an eSeminar on behalf of Adobe, entitled:
Ask a CS Pro: Update Your Demo Reel with Premiere Pro

 

Title: Ask a CS Pro: Update Your Demo Reel with Premiere Pro
Time: Friday, August 5, 12:00 p.m. – 1:00 p.m. PT
Location: http://my.adobe.acrobat.com/askcspro

More Info:
In this week’s Ask a CS Pro, Carey Dissmore will talk about the importance of demo reels, and provide an overview of the editing workflow in Premiere Pro from the perspective of an editor who is comfortable with Final Cut Pro. Carey will also share the similarities, differences and unique advantages of Premiere Pro, including its tight integration with other products in the Adobe Production Premium bundle such as After Effects, Photoshop and Audition.

We’ll see you Friday, August 5, at 12 p.m. PT in our Connect Room: http://my.adobe.acrobat.com/askcspro. The room will open up 15 minutes before the session starts. At this time, please sign in as a guest to join.

Session start time for other time zones follows: http://bit.ly/qWKv5b

About Carey Dissmore:

Carey Dissmore is a television and media production professional with 25 years in the business. His work spans the broadcast news, entertainment, advertising, documentary and corporate ranges. He considers himself an editor first, with a heavy amount of motion graphics design as well. He uses an enormous number of tools but the biggies are Final Cut Pro, Premiere Pro, After Effects and the full Adobe suite. Carey is currently working on shows for Food Network and Spike TV, while also designing, editing and animating a series of corporate and medical projects.

Carey founded the International Media Users Group and the MediaMotion Ball at NAB, establishing it as a strong user community event that has been running since 1998. He is active on the MediaMotion IMUG and AE email lists that he helps administer.

Carey is principal of Carey Dissmore Productions, Inc., based in Minneapolis, MN.

 

Disclosure by Carey: I’m not an Adobe employee, but they are funding and hosting this eSeminar. Having said that, Adobe has encouraged me to be really honest and straightforward. This presentation is of my own design, prepared from my own perspective.

Just a quick post to let everyone know that Blackmagic Design is the first one out with full support for Mac OS X Lion. The update supports Lion’s Core Video and Audio processing pipelines for our DeckLink, Intensity, Multibridge and H.264 products. And it is available now.

Full text of the press release is below.
Blackmagic Design Support Page

Blackmagic Design Releases Support for Mac OS X 10.7 Lion
New software update 8.2 for DeckLink, Intensity, Multibridge and
H.264 Pro Recorder products is available for download now!

Milpitas, CA – July 20, 2011 – Blackmagic Design today released a new software update for its desktop video products that adds full support for the new Mac OS X 10.7 Lion. This Desktop Video 8.2 software update includes support for Apple’s new Core Video and Core Audio processing pipelines for professional grade video and audio functionality across a wide variety of applications.

Core Media is the new exciting way video hardware devices capture and playback to software applications and it’s the future of video API’s on the Mac OS X platform. Blackmagic Design is the first company to support this new standard, right from the very first day it’s available to customers. Now all developers can design modern 64 bit video software and get high performance capture and playback to hardware, while having the benefit of high quality broadcast solutions for video with new Core Media technology.

“Our close relationship with Apple has enabled Blackmagic Design to take full advantage of the many exciting new features in Mac OS X 10.7 Lion, such as Core Video and Core Audio, from the very first day of its release,” said Grant Petty, CEO, Blackmagic Design. ”Our customers are constantly looking for performance improvements to their workflows and they will not be disappointed when they upgrade to the incredible new performance of Mac OS X 10.7 and Blackmagic Design products.”

This new software update supports all of Blackmagic Design’s DeckLink, Intensity, Multibridge and H.264 Pro Recorder products.

Availability and Price
Desktop Video 8.2 software update is available now free of charge for all DeckLink, Multibridge, Intensity and H.264 Pro Recorder customers from the Blackmagic Design web support page at www.blackmagic-design.com/support.

About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and film restoration software for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability, while the company’s DaVinci Emmy™ award winning color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including stereoscopic 3D and 4K workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore, and Australia. For more information, please check www.blackmagic-design.com.


IMUG and MediaMotion Ball community Founder Carey Dissmore shares a bit of his perspective three weeks after the release of the polarizing Final Cut Pro X. While the noise has started to lessen, a lot of editors remain bewildered as to what lies ahead for them. Should they switch editing platforms? Should they wait?

Carey brings his unique perspective on these & other issues, self-employment and has a few words for Apple as well.

Mentioned in this post:
Adobe Production Premium 50% off for FCP users

Avid Media Composer $995 for FCP users